How Did Richard Hamilton Define Pop Art As?

Art|Pop Art

Pop art is a movement that began in the 1950s and was spearheaded by British artist Richard Hamilton. It is a form of art that has been described as “popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous and big business.”

Pop art was created in response to the increasingly commercialized society of the time. Hamilton wanted to use popular culture as a way of criticizing the values of modern society. He believed that art should be accessible to everyone and should be made from everyday objects.

Hamilton defined pop art as “popular (designed for a mass audience), transient (short-term solution), expendable (easily forgotten), low-cost (inexpensive to produce), mass-produced (manufactured on a large scale), young (aimed at youth), witty (humorous or ironic), sexy (appealing to sex appeal) , gimmicky (trendy or novelty driven) , glamorous (glitzy or luxurious) and big business”.

He was particularly interested in the use of popular culture images such as those found in advertising and comics. Pop artists such as Andy Warhol used these images to make pointed social commentaries on consumerism and mass production. Warhol even said “being good in business is the most fascinating kind of art” showing his support for commercialism.

In addition to using popular culture images, pop artists also employed bright colors and bold patterns in their work. This visual aesthetic was meant to capture the attention of viewers and draw them into the artwork itself. In this way, pop art served to bridge the gap between highbrow art and lowbrow popular culture.

Pop art has had a major influence on contemporary art movements such as postmodernism and neoexpressionism. It has also become increasingly popular with collectors due its vibrant visuals and accessible subject matter.

Overall, Richard Hamilton’s definition of pop art describes it accurately; it is an artistic movement focused on using popular culture imagery to critique modern society while creating visually appealing works with bright colors and bold patterns. It has had an immense impact on contemporary art movements while becoming increasingly collectible over time.

Conclusion:

Richard Hamilton defined Pop Art as “popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous and big business” – emphasizing its accessibility for all audiences while also making poignant social commentaries through imagery from popular culture.