Banksy is an anonymous, British street artist known for his satirical and subversive works of art. In October of 2019, the artist secretly installed an exhibition of his work at the Paris Louvre Museum.
The installation, titled “The Walled Off Hotel”, was created on the museum’s premises without the knowledge or permission of its administrators. It featured a series of paintings and sculptures by Banksy, as well as a live performance by French street artist J.R. The entire exhibition was set up in just one night and was only accessible to those in the know about it.
It was a surprise to many, especially considering that Banksy’s work had previously been banned from galleries and museums around the world due to its subversive nature. However, this installation at the Louvre signalled a shift in attitudes towards Banksy’s work and raised questions about how institutions should respond to street art exhibitions that are not approved by them.
The exhibition was on display for one night only and featured works such as “The Walled Off Hotel” and “Laugh Now But One Day We’ll Be In Charge”. The pieces were made out of discarded objects including wood, metal, plastic and cardboard boxes. The installation also included audio recordings of Banksy speaking about his works.
The piece caused quite a stir amongst the public who were able to witness it before it was removed from the museum premises by security personnel on October 24th 2019. Since then, Banksy has gone on to install other works around Paris including a mural in Montmartre which depicted a hooded figure sheltering from tear gas canisters with their umbrella.
Conclusion: In October 2019, Banksy secretly installed an exhibition at the Paris Louvre Museum titled “The Walled Off Hotel” which featured paintings and sculptures by him as well as a live performance by French street artist J.. Despite his work being previously banned from galleries and museums around the world due to its subversive nature, this installation signalled a shift in attitudes towards Banksy’s artwork which sparked debate about how institutions should respond to unapproved street art exhibitions
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