Pop Art is a visual art movement that emerged in the mid 1950s in Britain and in the late 1950s in the United States. It is characterized by bright colors and the use of recognizable images from popular culture such as advertisements, celebrities, and comic book characters. Pop Art is often seen as a reaction to the more formalized and abstract styles of modern art.
The movement was led by artists such as Andy Warhol and Roy Lichtenstein, who sought to explore popular culture and mass media. Pop Art was a challenge to traditional notions of what constituted fine art and explored how everyday images could be used to create art. Through its use of familiar images, Pop Art sought to engage with its audience on a more personal level.
Pop Art has been controversial since its inception because it does not conform to traditional ideas about what constitutes good or valuable art. Some people argue that Pop Art is not “real” art because it relies on existing objects or images rather than creating something new or original. However, proponents of Pop Art argue that it can be just as meaningful as other forms of art because it critiques existing social conventions and commentaries on our society’s relationship with popular culture.
Pop Art has had a lasting influence on the world of art, inspiring other styles such as Neo-Pop and Post-Pop Art which incorporate elements from traditional painting or sculpture into their works. In addition, many artists continue to use elements of Pop Art in their own works today, demonstrating its lasting impact.
Ultimately, whether or not Pop Art is considered “real” art depends on individual opinion and interpretation. It cannot be denied that Pop Art has had an immense impact on both contemporary visual culture and the world at large, making it an important part of modern artistic discourse.
Conclusion: Is Pop Art considered ‘real’ art? Ultimately this depends on individual opinion but it cannot be denied that Pop Arts’ influence over both contemporary visual culture and the world at large is immense – making it an important part of modern artistic discourse.