What Is a Grande Jete in Ballet Terminology?

Ballet

A grand jeté is a ballet term used to describe a particular type of jump. It is also known as a grande jette, grand battement, or grand jetée.

This impressive movement involves the dancer launching into the air with one leg extended in front and the other leg extended behind them. The dancer will often land on both feet, but it can also be done with one foot remaining in the air while the other touches the ground.

The grand jeté is a very showy move, requiring skill and strength to perform. It is usually accompanied by an arabesque or pirouette for dramatic effect. The dancer needs to be able to control their muscles in order to maintain balance and stability in midair and when landing.

The origin of the term ‘grand jeté’ comes from French, meaning ‘great leap’. It was originally used as a military term for a soldier leaping over an obstacle or enemy line.

In ballet, it was first seen in classical ballets such as ‘Giselle’ (1841) and ‘La Esmeralda’ (1844). This move has since been used extensively in classical and contemporary works as part of spectacular leaps across the stage.

In order to execute this maneuver correctly, dancers must have good coordination and control over their entire body during flight, including arms and legs. The dancer should also have strong legs and core muscles for stabilization during take off and landing phases of the jump. Additionally, technique such as turning out the feet is important to ensure that the jump looks graceful and powerful instead of just awkward or uncoordinated.

The grand jeté is one of the most iconic steps in ballet and an impressive sight when performed correctly. It requires strength, skill, coordination and grace that can only be acquired through dedication to practice.

Conclusion: In conclusion, a grand jeté is an impressive leap performed by ballet dancers that requires strength, skill, coordination and grace to execute correctly. It originated from French military terminology for soldiers leaping over obstacles or enemy lines but has since been perfected by ballet dancers for use in performances across stage productions throughout history.