What Is Cloister in Art History?

Art|Art History

Cloister, one of the most important aspects of art history, is a term used to describe a particular architectural form. The word comes from the Latin term claustrum which means “enclosed space.” A cloister is typically a covered walkway around the exterior of a building or courtyard with an open center, usually surrounded by arches or columns.

Cloisters can be found in churches, monasteries, and other religious buildings. They are often used as a place for contemplation and prayer.

The purpose of cloisters has changed over time and in different cultures. In the Middle Ages, for example, cloisters were used as a place to study scripture and contemplate spiritual matters.

In some cases, they were also used as spaces for gatherings or meetings among members of the same monastic order. As such, they were places where individuals could come together to discuss important matters while still maintaining their spiritual practices.

Cloisters have been used throughout history to inspire awe and reverence in visitors to religious sites. Many early churches featured elaborate cloisters with intricate designs and decorations that were meant to evoke feelings of spirituality and reverence in visitors. Today, many cloisters are still seen as places of spiritual contemplation and reverence.

Cloisters are also frequently found in secular settings such as museums and galleries. These spaces may be used to display artwork or provide visitors with a place for contemplation and reflection on the artwork that is on display. Additionally, some museums feature outdoor cloisters that provide visitors with a peaceful area to explore the grounds.

Conclusion:

Cloister is an important term in art history that refers to an architectural form consisting of an enclosed walkway around the exterior of a building or courtyard with an open center surrounded by arches or columns. Cloisters have been used throughout history as places for spiritual contemplation and study while providing awe-inspiring designs meant to evoke feelings of reverence in visitors. Today they are still seen as places of spiritual contemplation but may also be found in secular settings like museums or galleries where they can provide spaces for reflection on artwork on display.