What Is the Name of the Art Movement That Peggy Guggenheim Refused to Put in Her Museum?

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The art movement that Peggy Guggenheim refused to put in her museum was surrealism. Surrealism was a prominent art movement that began in the early 1920s and lasted until the 1940s.

It was an avant-garde art movement that sought to explore the unconscious mind and challenge traditional artistic conventions. Artists associated with the movement included Salvador Dali, Joan Miro, Max Ernst, and Man Ray.

Peggy Guggenheim was an American heiress who was a patron of the arts and collector of modern art. She opened her own museum in Venice, Italy, in 1951 which became one of the most important collections of modern art in Europe.

Despite her appreciation for modern art, she refused to include works by surrealist artists in her collection. This decision was due to her belief that surrealism was too obscure and abstract for the public to appreciate or understand.

Guggenheim’s refusal to include works by surrealist artists caused controversy in the art world at the time as many argued that it undermined the legitimacy of surrealism as an important modern art movement. Despite this contention, Guggenheim maintained her stance and even went so far as to state that she believed “surrealism had gone too far” and would only lead to confusion among visitors if included in her museum.

While Guggenheim was adamant about not including works by surrealist artists in her museum, she did recognize their value as an important part of modern art history and actively promoted them through other means such as exhibitions at other venues or through private sales from her personal collection.

Conclusion: The name of the art movement that Peggy Guggenheim refused to put in her museum is surrealism. This decision caused considerable controversy at the time but Guggenheim maintained that it was too abstract for general public consumption and could lead to confusion among visitors if included in her collection. Despite this stance, she still recognized its importance as part of modern art history and actively promoted it through other means such as exhibitions or private sales from her personal collection.