The New York City Ballet is a world-renowned dance company, founded in 1948 by the legendary George Balanchine and Lincoln Kirstein. It has since become one of the most respected ballet companies in the world, acclaimed for its innovative works and performances. Behind all of this success is a talented and passionate team of artistic directors, dancers, choreographers and other professionals who have worked tirelessly to make the New York City Ballet a leading institution in the performing arts.
At the helm of this incredible organization is a man whose contributions have been instrumental to the company’s success: Director Peter Martins. A graduate of the Royal Danish Ballet School, he joined NYCB as a principal dancer in 1970, and quickly rose through the ranks to become one of the most influential figures at the company. He assumed his current role as artistic director in 1990, and has since overseen an impressive array of works by both established and emerging choreographers.
Under Martins’s leadership, NYCB has become renowned for its commitment to pushing boundaries within ballet. He has commissioned groundbreaking creations from top choreographers such as Christopher Wheeldon, Justin Peck and Alexei Ratmansky, as well as many others. In addition to his work on new ballets, Martins also oversees a vibrant repertory of historic works from over six decades.
Martins’s role at NYCB is far-reaching: he serves not only as its artistic director but also its chairman of faculty at The School of American Ballet (SAB). At SAB he is responsible for overseeing all aspects related to training students for professional careers in ballet. He also plays an active role in helping young dancers transition into professional life after graduation.
Who Is The Director Of New York City Ballet?
The answer is Peter Martins. Since 1990 he has been at the helm of New York City Ballet, leading it to great success with his innovative vision and passion for excellence in ballet. He has overseen groundbreaking works from top choreographers, maintained a vibrant repertory from over six decades and helped countless young dancers transition into professional life after graduation.
Conclusion
Peter Martins is the current director of New York City Ballet (NYCB). His contributions have been instrumental to making NYCB one of the world’s most respected ballet companies; under his leadership it has become renowned for its commitment to pushing boundaries within ballet. In addition to being artistic director at NYCB, he also serves as chairman of faculty at The School American Ballet where he oversees all aspects related to training students for professional careers in ballet.