The tutu is a garment that has become synonymous with classical ballet. It is a full skirt, usually made of several layers of tulle, which is traditionally worn by female dancers in order to help them achieve the desired light and graceful movements associated with the discipline.
The original design of the tutu was created by French Ballet Master Jean-Georges Noverre in 1759. At this time, ballets were more focused on telling stories than on technique and aesthetics.
As such, costumes for these productions were designed to emphasize certain elements of the narrative rather than to facilitate movement. Noverre wanted to create a costume that would allow dancers greater freedom of movement while still projecting an air of elegance.
In order to achieve this goal, Noverre developed a skirt that was constructed from several layers of light, stiffened tulle fabric. This material was stiff enough to hold its shape throughout a performance but also light enough that it did not impede the dancer’s movements. The skirt was gathered at the waist and flared out into several tiers which created a bell-like shape.
Since its introduction, the classical ballet tutu has gone through many changes and variations in design. However, its basic form remains largely unchanged and it continues to be an essential part of any ballet dancer’s wardrobe. The tutu helps create an image of grace and beauty while also allowing dancers to move freely without being hindered by their costume.
Conclusion:
The classical ballet tutu was invented by French Ballet Master Jean-Georges Noverre in 1759 as a way to allow dancers greater freedom of movement while still creating an atmosphere of elegance. The original design consisted of several layers of stiffened tulle which allowed for both lightness and shape retention throughout performances. Despite various changes over time, the basic design has remained largely unchanged and it continues to be one of the most important elements in any professional ballet dancer’s wardrobe today.