How Did Robert Rauschenberg Describe Pop Art?

Art|Pop Art

Robert Rauschenberg was an influential artist who was known for his use of found objects, photography, and printmaking. He was one of the artists who helped define the Pop Art movement of the 1950s and 1960s. Rauschenberg’s work often combined elements of fine art, popular culture, and everyday life. He said that he wanted his art to be “something that you can look at that is familiar and make it into something new.”

Rauschenberg’s most famous works included his “combines” which were created in 1955-64. These were hybrid sculptures made from a combination of everyday objects such as metal and fabric with painting or drawing. He also experimented with silk screens, lithography, and photography to create unique works of art.

Rauschenberg believed that Pop Art should be accessible to everyone, regardless of social class or cultural background.

He sought to challenge traditional artistic conventions while still making his art enjoyable to a wide audience. He said: “I am for an art that is political-erotical-mystical, that does something other than sit on its ass in a museum”.

Rauschenberg also embraced the idea of transformation in Pop Art by using everyday objects in his work. He believed that these objects could be used as symbols for larger ideas about society and culture. He said: “It’s not what you look at that matters, it’s what you see”.

Robert Rauschenberg described Pop Art as an accessible form of art for everyone that could challenge traditional conventions while still appealing to a wide audience. His combines were revolutionary hybrids made from everyday objects which he used as symbols for larger ideas about society and culture. Through his work, Rauschenberg sought to transform the way we see the world around us.

Conclusion:
Robert Rauschenberg saw Pop Art as an accessible form of expression which could challenge traditional conventions while still appealing to a wide audience. His combines were revolutionary hybrids made from everyday objects which he used as symbols for larger ideas about society and culture – transforming the way we view the world around us.