Arthur Mitchell, an African-American dancer and choreographer, became the first black principal dancer of the New York City Ballet (NYCB) in 1955. He was a pioneer in the world of ballet and opened many doors for dancers of color. During his tenure with NYCB, Arthur Mitchell danced many leading roles and created over 30 ballets for the company.
Arthur Mitchell’s Professional Career
Arthur Mitchell began studying ballet under Karel Shook at the New Dance Group in Harlem when he was just 11 years old. After graduating from high school, Arthur went on to study at the School of American Ballet where he was accepted on full scholarship.
At the age of 19, he joined NYCB as a member of their corps de ballet. In 1956, only one year after joining NYCB, he was promoted to soloist and then to principal dancer in 1959. His career with NYCB lasted 17 years until he left in 1973 to form his own dance company called Dance Theatre of Harlem (DTH).
Arthur Mitchell’s Accomplishments
In addition to being NYCB’s first black principal dancer, Arthur Mitchell had several other accomplishments throughout his career. He created a total of over 30 works for both DTH and NYCB that were performed by both companies over the years. He also founded a school for DTH called The School of Dance Theatre of Harlem which served as an official training ground for aspiring dancers who wanted to pursue their dream of becoming professional dancers.
How Long Did Arthur Mitchell Dance With the New York City Ballet?
Arthur Mitchell danced with the New York City Ballet for 17 years before leaving in 1973 to form his own dance company called Dance Theatre of Harlem. During this time, Arthur created over 30 ballets for NYCB that are still performed today. He also made history as the first black principal dancer at NYCB which opened up new opportunities for other dancers of color who followed him into ballet.
Conclusion
Arthur Mitchell danced with the New York City Ballet from 1955 until 1973, making history as its first black principal dancer during that time. During his 17-year career with NYCB, he created over 30 ballets and opened up opportunities for other dancers of color who followed him into ballet.
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