The Artistic Director of Boston Ballet is the acclaimed choreographer and dancer Mikko Nissinen. He joined the company in 2001, and since then has been a major force in the growth of the art form within the city of Boston.
Nissinen was born in Finland, where he began taking ballet classes as a young boy. His talent was immediately evident, and soon he was admitted to the Finnish National Ballet School. He completed his studies there in 1979 and went on to perform with various companies across Europe.
In 1988, Nissinen was offered a position with the San Francisco Ballet as a soloist, which he accepted. He stayed with them for four years before moving on to become Artistic Director of Alberta Ballet in 1992. After eight years at Alberta Ballet, Nissinen joined Boston Ballet as its new Artistic Director in 2001.
Since then, his ambition has been to make Boston Ballet one of the greatest ballet companies in the world. To do this, he has commissioned renowned choreographers from around the world to create new works for the company’s repertoire and has also hired dancers from all over to join their ranks. In addition to this, Nissinen has ensured that all performances are held at top-of-the-line venues throughout Boston so that audiences can experience quality ballet performances at their finest.
Nissinen’s hard work and dedication have paid off: under his leadership, Boston Ballet has grown into one of America’s premier ballet companies. The company now performs regularly on stages across the globe and receives critical acclaim wherever they go.
Mikko Nissinen is an inspirational leader who continues to push Boston Ballet forward with his relentless energy and passion for dance. He is undoubtedly an important figure in modern dance today—and one who will continue to be at the forefront of American ballet for many years to come.
Conclusion
Mikko Nissinen is currently serving as Artistic Director of Boston Ballet since 2001, where his passion and dedication have helped elevate it into one of America’s premier companies.
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