The Baltimore Museum of Art is one of the most renowned art galleries in North America, and its Director is Christopher Bedford. Bedford is an esteemed curator and critic, and has been with the museum since 2017.
Bedford has had a long and successful career in the arts, having served as the director of the Rose Art Museum at Brandeis University from 2014 to 2017. Before that, he was a curator at London’s Whitechapel Gallery from 2010 to 2014. He has also held positions at the Philadelphia Museum of Art and Harvard University’s Carpenter Center for Visual Arts.
Bedford’s curatorial practice focuses on contemporary art, particularly that of emerging artists. He has curated numerous exhibitions at the Baltimore Museum of Art, including “Color Field Painting: 1960-1975” and “Fantasies & Fictions: Expanding American Abstraction, 1960–1975”; both shows earned him critical acclaim. His other curatorial projects include “The Everywhere Studio: Contemporary Art from India, China & Beyond” (2013) and “Theaster Gates: The Black Image Corporation” (2016).
In addition to his curatorial work, Bedford is also a writer who contributes regularly to art publications such as Artforum, Frieze Magazine, Parkett and The Brooklyn Rail. His essays have explored topics such as post-war abstraction in Europe; mid-century American painting; contemporary art in India; performance art; and political resistance in visual culture. He is also an editor for Afterall Books (London) and The Brooklyn Rail’s Critical Perspectives series.
Christopher Bedford is an accomplished curator with a deep knowledge and appreciation for contemporary art. His tenure at the Baltimore Museum of Art has seen many successful exhibitions that have brought critical acclaim to both him and the museum itself. Bedford continues to be an influential figure in the world of modern art criticism and curation.
Conclusion
Christopher Bedford is an acclaimed curator who has been serving as Director of the Baltimore Museum of Art since 2017. He has a long career in arts administration along with writing credits in noteworthy publications like Frieze Magazine, Parkett and The Brooklyn Rail among others. His focus on contemporary art combined with his knowledge of post-war abstraction in Europe makes him an influential figure in modern art criticism and curation today