Who Started Musical Theatre in America?

Musical Theatre|Theater

Musical theatre in America can be traced back to the early 19th century. The first musical theater productions in America were created by European theater companies, and these shows often had a comedic element.

This was in stark contrast to the more serious and formal theatrical presentations that were common in Europe at the time.

The earliest documented musical theater production in America is The Black Crook, which opened on September 12, 1866, at Niblo’s Garden Theatre in New York City. It was written by Charles M. Barras and featured music by several composers, including J. Cheever Goodwin and Julius Eichberg. With a run of over 500 performances, The Black Crook is considered the first full-length book musical in America and is credited for helping launch the American musical theater tradition.

In the early 20th century, theatrical impresario Florenz Ziegfeld Jr. helped revolutionize American musical theater with his elaborate stage productions known as “The Ziegfeld Follies” which incorporated popular music of the day into revue-style shows featuring dancers and singers. Other impresarios such as George M. Cohan soon followed suit and produced their own versions of popular musicals with song-and-dance numbers that soon captured the imagination of Americans.

By the mid-20th century, Broadway had become firmly established as one of America’s premier cultural centers, with some of the most iconic musicals such as Oklahoma!, West Side Story, Hair, Cats and The Phantom of the Opera among others having been produced during this time period. To this day Broadway continues to be an influential force in American culture and entertainment with new musicals being created every year.

Ultimately it was Charles M. Barras’ production of The Black Crook which helped kickstart what would later become one of America’s most beloved art forms: Musical Theatre. It stands today as a testament to his ambition and innovation that helped lay down the foundation for future generations to build upon.

Conclusion:

At its core, Musical Theatre in America began with Charles M. Barras’ production of The Black Crook. His innovative approach to theatre set off a chain reaction that would eventually lead to some of Broadway’s most iconic shows – changing American culture forever along the way.